Landys ghost
06-13-2010, 05:55 AM
Dylan has revisited his work so many times it's almost impossible to keep track of the changes.
Although there are good reasons to say 1966 was the first re-visit that really was just electrifying accoustic material, except perhaps for One Too Many Mornings, which 3 years later went Country,and in 76 almost punk, before settling down to being a laid back song of nostalgia in the 90's
Just like a woman at the Bangladesh concert was a total reinvention and quite possibly showed him how this kind of revisionism could
help him endure and take large bodies of his work forward, and then you come to.........
Tangled up in blue, it would be quite possible to make an entire album of re-writes and different arrangements
the NY outake
the O/R on BOTT
Renaldo & Clara
Alone with Sax accompaniment
Real Live
and all the NET versions
it's like Monet painting his water lillies from different angles - sheer genius
Although there are good reasons to say 1966 was the first re-visit that really was just electrifying accoustic material, except perhaps for One Too Many Mornings, which 3 years later went Country,and in 76 almost punk, before settling down to being a laid back song of nostalgia in the 90's
Just like a woman at the Bangladesh concert was a total reinvention and quite possibly showed him how this kind of revisionism could
help him endure and take large bodies of his work forward, and then you come to.........
Tangled up in blue, it would be quite possible to make an entire album of re-writes and different arrangements
the NY outake
the O/R on BOTT
Renaldo & Clara
Alone with Sax accompaniment
Real Live
and all the NET versions
it's like Monet painting his water lillies from different angles - sheer genius